[12], From the beginning of the search for the actor who would play Sotnikov, Larisa Shepitko instructed Emma Baskakova, her casting assistant, to keep in mind the image of Christ, although it was impossible to mention this out loud. [16], German poster - (left to right) Rybak, the village headman, Sotnikov, Basya, Demchikha, Margaret Herrick Library, Academy of Motion Picture Arts and Sciences, sfn error: no target: CITEREFКлимов1987 (, List of submissions to the 50th Academy Awards for Best Foreign Language Film, List of Soviet submissions for the Academy Award for Best Foreign Language Film, Buffalo Bill and the Indians, or Sitting Bull's History Lesson, https://en.wikipedia.org/w/index.php?title=The_Ascent_(film)&oldid=995957339, Articles containing Russian-language text, Creative Commons Attribution-ShareAlike License, This page was last edited on 23 December 2020, at 19:46. During the war, the senior official was himself a partisan and moreover in 1942 the German occupiers hanged his mother for collaborating with the partisans. *WARNING: THIS PIECE CONTAINS MILD SPOILERS FOR THE ASCENT* Ukrainian-born Soviet director Larisa Shepitko’s fifth and final film, The Ascent, is a war narrative unlike any other.Shepitko was not interested in battle sequences and displays of gallantry – which, in other films, often serve to glorify war and bypass its true costs – but rather in the extreme physical and … [5] Boris Plotnikov, a 25-year-old actor of the Sverdlovsk Theater, turned out to be the best candidate for the role according to the director, but the officials of Goskino saw in Shepitko's plan the intention to put Jesus on to the Soviet screen. The Ascent, director Larisa Shepitko’s final film and said to be one of the finest war films ever made, is a bleak and harrowing masterpiece of genuine gut-wrenching power.It is a story of survival, sacrifice and betrayal that captures the fragility, ugliness and greatness of man. I could not find any other material with which I could transmit my views on life, on the meaning of life. The crowning triumph of a career cut tragically short, Larisa Shepitko’s final film won the Golden Bear at the 1977 Berlin Film Festival and went on to be hailed as one of the finest works of late-Soviet cinema. Before The Ascent, the director Larisa Shepitko shot the film You and I. Ascent, an independent, not-for-profit magazine; Ascent, a literary journal based at Concordia College; Ascent, by Jed Mercurio; Times Ascent, a weekly supplement of The Times of India newspaper; Film and TV. The crowning triumph of a career cut tragically short, Larisa Shepitko’s final film won the Golden Bear at the 1977 Berlin Film Festival and went on to be hailed as one of the finest works of late Soviet cinema. In addition she experienced extreme pain which was caused by her recent spinal trauma. While Klimov was preparing for the shooting of the film Kill Hitler (which was released under the title of Come and See in 1985), he met with Pyotr Masherov, the first secretary of the Communist Party of Belarus, who strongly supported the director and even acted as a historical consultant. Larisa Shepitko’s final film is a masterly war movie following two very different soldiers during the Great Patriotic War. Nearly four and a half decades since its release, Larisa Shepitko’s 1977 film The Ascent remains a crowning achievement like no other.Shepitko additionally helmed the films Wings (1966), Beginnings of an Unknown Era (1967), In the 13th Hour of the Night (1969), and You and Me (1971), but the Soviet director’s career was tragically cut short in a fatal car accident in 1979. The embodiment of resistance is not the impetuous and combative hero. Livraison gratuite dès 25 € d'achats. The award-winning young director of this unusual wartime drama died shortly after beginning work on her next film. • Wings (1966), Krylya – Shepitko's first post-institute film Wingsconcerns a much-decorated female fighter pilot of World War II. Gostyukhin's rude manners initially alienated other members of the selection committee but Shepitko explained away his behavior as shyness and decided to audition the candidate who had already at the first rehearsal made a strong impression on everyone with his dedication in realizing the character. Made in 1966, the film might be read as a tribute to Russia's (also largely overlooked) female combatants in WW2. Shepitko brings to light the inner life of a middle-aged woman who must reconcile her past with her present reality. Two soldiers (Boris Plotnikov and Vladimir Gostyukhin, both excellent) search for food, while dodging enemy fire in the snowy forests. After taking a farm animal from the collaborationist headman (Sergei Yakovlev), they head back to their unit, but are spotted by a German patrol. As he heads back to the camp with his new comrades, Rybak is vilified by the villagers. The Ascent The crowning triumph of a career cut tragically short, Larisa Shepitko’s final film won the Golden Bear at the 1977 Berlin Film Festival and went on to be hailed as one of the finest works of late-Soviet cinema. "[6] After a few days The Ascent was formally accepted without any amendments. The film won the Golden Bear award at the 27th Berlin International Film Festival in 1977. [5][15], When Klimov, bypassing Mosfilm, invited Masherov to a special preview of The Ascent, he initially was skeptical and was expecting to see "effeminate directorial work." Plotnikov, whose repertoire until then largely included the roles of magical animals,[13] even had to be made up for the purpose of greater glorification of the character so that the artistic council would approve him for the role. The digital image and sound restoration was by Mosfilm Cinema Concern in 2018. The Ascent (bahasa Rusia: Восхождение, tr. It was impossible to be one person on the set and to be another one in real life. The following long close-up of majestic nature signified the freedom which Rybak desperately desires and was intended to emphasize the utmost despair "of a person who lost himself. Larisa Shepitko’s final film—a shattering, intimate World War II drama, newly restored Now on Blu-ray The crowning triumph of a career cut tragically short, Larisa Shepitko’s final film won the Golden Bear at the 1977 Berlin Film Festival and went on to be hailed as one of the finest works of late-Soviet cinema. While the literary work by Býkaŭ was full of sensual details like "icy cold", "famine", "danger", Shepitko strongly discouraged attempts to be satisfied with external action and demanded an "internal justification" of each movement, gesture and glance of the heroes. The Ascent (1977) Larisa Shepitko is a name very few are familiar with. The main accusation was that Shepitko allegedly made a religious parable with a mystical tone from the partisan story; this was considered an insurrection in the atheistic Soviet cinema. Having graduated from the Moscow Film School in 1963, Shepitko had produced three features and a segment for an … Plotnikov had immediately attracted the director with his constitution, smile, look and plasticity while Gostyukhin's appearance did not coincide with how Shepitko saw Rybak: the young actor came to his audition with "frivolous" bangs which were uncharacteristic for a partisan. According to Yuri Klepikov even "the fruitful spontaneity was due to the very environment of the shoot," which was ensured by the carefully crafted script. The career of Larisa Shepitko, an icon of sixties and seventies Soviet cinema, was tragically cut short when she was killed in a car crash at age forty, just as she was emerging on the international scene. The Ascent. Long before, in 1963, a tradition was established between the future spouses that for a good idea they would receive ten roubles. I would agree that The Ascent is the better of the two films, but Wings should not be overlooked. November 18 [2020] December 23 [2020] [Futuristika!] Larisa Shepitko's fourth and final film, 1977's The Ascent (Voskhozhdeniye), is a bleak trek across the frozen Byelorussian landscape during WWII.Set in the small Eastern European country just north of the Ukraine, it details the ravages its people suffered under the German invasion and their perseverance in the face of crisis and tragedy. [5][15], In July 2018, it was selected for screening in the Venice Classics section at the 75th Venice International Film Festival. The Ascent. The movie was shot in January 1974 near Murom, Vladimir Oblast, Russia, in appalling winter conditions, as required by the script, based on the novel Sotnikov by Vasil Bykaŭ. the director came over to him to warm him up and to thank him. The crowning triumph of a career cut tragically short, Larisa Shepitko’s final film won the Golden Bear at the 1977 Berlin Film Festival and went on to be hailed as one of the finest works of late Soviet cinema. The actor chosen for the role was the unknown actor Vladimir Gostyukhin. Tout sur Wings/the ascent 2008/st gb/b&w - DVD Zone 1 - Larisa Shepitko, DVD Zone 1 et toute l'actualité en Dvd et Blu-ray. It is cited as being from a "New 4K digital restoration". ... Start watching with your public library card or university login. Larisa Shepitko and The Ascent Larisa Shepitko was born in 1938 and died in 1979, in an automobile accident while returning from a film shoot.2 She entered the All-Union Film Institute in Moscow at age sixteen, insistent on studying to be a director despite pressure … As the reviewer above notes, the Ascent deserves to be remembered among the very best films to … It was on my radar due to seeing it well placed in several critics lists of great films, and the synopsis sounded like it would be something up my alley. [14], In order to achieve the desired performance from the actors, Shepitko sometimes talked for a long time with them out in the cold. Production of that film took place at the Mosfilm sound stage, adjacent to where the auditions were being held, and during his breaks Vysotsky often went to see what was happening at Shepitko's sound stage. 296 notes. Larisa Shepitko was glamorous and gifted, and in her heyday she had the movie world at her feet. Publications. [11], Shepitko decided to use unknown or little-known actors whose past roles would not cast a shadow on their characters in The Ascent. Larisa Shepitko’s black-and-white feature film Voskhozhdeniye (The Ascent, 1977) is based on the 1970 novella Sotnikov by the Belarussian writer Vasil Bykov. Her last film, The Ascent, is widely regarded as one of the finest Soviet films of the 1970s. Cut!" The Ascent (1977) Larisa Shepitko is a name very few are familiar with. This struggle was not always successful. We had a lot of fun producing this episode, and we hope you guys dug it. [5] Together with this, the filming process was planned in such a way that the actors started with the easiest acting in the psychological sense, and scenes which allowed them to gradually sink into their characters. However, they are discovered and captured. She expresses this by contrasting her character's r… There is a new 17-minute video introduction by journalist Anton Klimov, son of director Larisa Shepitko and filmmaker Elem Klimov recorded for the Criterion Collection in September 2020, Klimov talks about the singular vision of his mother, director Larisa Shepitko, for The Ascent, and the devotion to her work of his father, filmmaker Elem Klimov. Larisa Shepitko was glamorous and gifted, and in her heyday she had the movie world at her feet. The Ascent, a 1977 Soviet film set in World War II; Kodiyettam (Ascent), 1977 Indian film written and directed by Adoor Gopalakrishnan "The Ascent" (Star Trek: Deep Space Nine), a 1996 episode of the television series Star Trek: Deep Space Nine"Ascent" (American Crime Story), an episode of the second season of American Crime Story"Ascent" (), an episode of The Dead Zone Sadly, she died at the age of 41 in a car accident and her films are little known. By that time Shepitko had already gained a reputation of an inconvenient director. November 18 [2020] December 23 [2020] [Futuristika!] The realization of what was subsequently necessary came to her suddenly while she was recuperating at a Sochi sanatorium, but her creative plans were undermined by a disastrous fall, which resulted in a serious concussion and a spinal injury. The movie was shot in January 1974 near Murom, Vladimir Oblast, Russia, in appalling winter conditions, as required by the script, based on the novel Sotnikov by Vasil Bykaŭ. Directed by Larisa Shepitko • 1977 • Soviet Union Shepitko's emotionally overwhelming final film won the Golden Bear at the 1977 Berlin Film Festival and has been hailed around the world as the finest Soviet film of its decade. Despite her short career, she however managed to create some of the best Soviet films of her time. If I had not shot this picture it would have been a catastrophe for me. 4.9 out of 5 stars 31 ratings. Directed by Larisa Shepitko, "The Ascent" is a harrowing war movie whose chain of events deliberately builds to a powerful finale. Though her name is now unjustly obscure, Larisa Shepitko was one of the boldest, most renowned filmmakers of the Soviet era. Production took place under an atmosphere of severe stress. Why has everyone forgotten her, asks Larushka Ivan-Zadeh. The Ascent thus plays on the ironic inversion of the socialist realist typology of heroes of the Great Patriotic War. It’s The Ascent, from Eclipse Series 11: Larisa Shepitko. Larisa Shepitko and The Ascent Larisa Shepitko was born in 1938 and died in 1979, in an automobile accident while returning from a film shoot.2 She entered the All-Union Film Institute in Moscow at age sixteen, insistent on studying to be a director despite pres- sure to follow the more conventional female route into acting. But Shepitko still rose two to three hours before the crew to have time to prepare, after which she worked to the maximum limit of her strength throughout the day. The release on DVD of these two films from Larisa Shepitko allows us a chance-finally-to see two masterpieces from a director who, sadly since her death in 1979, has been all but forgotten. ", Anatoly Solonitsyn at first did not see anything interesting in what he thought of as a "supporting role", and which he considered a "rehash" of what had been filmed earlier. [2] It was also selected as the Soviet entry for the Best Foreign Language Film at the 50th Academy Awards, but was not accepted as a nominee.[3]. Shepitko belonged to a gifted generation of Russian filmmakers like Andrej Tarkovsky, Elem Klimov and Kira Muratova. He also directed a short film in tribute to his wife, called Larisa (1980). The first one I want to draw attention to is the Russian war film The Ascent of Larisa Shepitko from 1977. 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